/ Narrative
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#51 How To Prevent The Apocalypse With Performance Art
- random people
Aliens are observing the Earth. What they see: capitalism, violence, a rerun of the popular TV series 24. They decide to bring an end to all this and annihilate the human race. But just in the nick of time humanity is saved – because the aliens witness a performance piece, and decide that there is still hope for humans after all.
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#44 Clip Kino: Helsinki And Beyond
- Andrew Gryf Paterson The billboard proclaiming 'Jii Hutikka's Clip Karavaani!' was the beginning of 'Clip Kino' in Helsinki and beyond: a self-organised social event platform consisting of screening events in public spaces, featuring not full, or even short, film screenings, but video clips and documentaries found online.
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#43 Buying The Museum
- Alessandra Di Pisa
It is not strange then that artist Alessandra Di Pisa in her latest work Buying The Museum takes a shot at the very core of the art institution, but this time from a perspective seldom pursued by artists when she aimed at buying the actual institution, thus totally
shifting the power relations.
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#41 Alienation Stories
- Jari Silomäki
”You are a Greek statue”
a blind woman whispered in my dreams.
“This muscular body is but a suit of mourning”
I told her. Then, I kissed her and
I had her against my clothes closet.
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#40 Family Album, Writers In No Particular Order
- IC-98
What follows is an unsorted, nonhierarchical and partly arbitrary selection of characters who have influenced our work. A family album, a list of usual suspects, your average perpetrators - or maybe just a side show of funny faces, assembled together from our library of eyes, noses, ears, facial hair et cetera.
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#39 Urban Narratives
A round table discussion with Meira Ahmemulic, Antonio Scarponi and Elin Wikström.
Adapted to text by Katja Aglert, Martijn van Berkum and Janna Holmstedt
In the context of SQUID, we found out in 2008 that urban and narrative were the most common search words, or themes, used in the SQUID archive. The varieties in approaching, investigating, or tip-toeing around these themes are as many as the number of contributions. Nevertheless, we thought it was an interesting thread we had stumbled upon and felt compelled to follow up and decided to do this under the theme of Urban Narrative.
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#38 URBAN NARRATIVE: A MANIFESTO
- Antonio Scarponi 00_ Fiat Lux. Narrative in-forms realities. It gives them a form. So that these can be recognised, narrated, historicized, represented. Narrative stands for any form of representation. The urban condition is a tangible reality that takes form with narrative, here understood as any kind of representation, visual or not.
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#36 Dolma, The Taste Of Kurdistan
- Francesca Recchia I have been living in Southern Kurdistan or Northern Iraq for more than six months and day after day, week after week I discover the multitude of doors that allow for perceiving the nuances of a different society.
Cooking and tasting food while sharing stories is to me a privileged access point that reveals much more than what it seems to tell.
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#32 Scrambles Amongst The Alps
- Martijn van Berkum I'm convinced that you cannot describe nature, not philosophically, nor in a scientific manner and, not in the last place, not from an aesthetic point of view either. The moment you start describing it, studying or painting it, nature is undone and becomes something different altogether: a dissertation, a story, or an art work, anything that fits into a human framework of understanding. It's a Bermuda triangle of philosophy, science and culture in which nature disappears.
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#30 20th Century Type Coins
- Marc Ganzglass 20th Century Type Coins is a radio play about two characters hoarding coins. The first - Ephraim, is a scholar, an empiricist and a diligent coin collector. The other character - Mungo, is impetuous, anti-authoritarian and a survivalist. The two characters compare sorting reports and tactics for acquiring coins based on their value as raw material.
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#25 A Parallel Script To The Film: The Dream Of A Book
- Beata BerggrenImage: A very sunny late summers day at the southern coast of Sweden. On the beach a placard has been erected, 3,60 x 2,55 meters. Behind it, the sea and the sandy beach. The sun stands low and shines like a lamp on the placard. A shimmering light from the sea. The placard is painted with straight lines, in the same colors as the sky, the sea and the beach. It is quite windy and Dad is standing behind the placard, holding a rope to straighten it up. On the placard it is written:
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- Svenska
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#24 06.04.02
- Jelena Rundqvist SQUID said they wanted me to write about that which triggers me, which makes me want to do things, create. The things that give me energy, something important to me and thus also a part of my work as an artist. I thought it would be fun to write. Exciting. Possibly demanding, but in a challenging way. I was thinking I was going to write about Seinfeld.
The English text will become available soon.
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- Svenska
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#20 Dear Tom
- Michael Blum Script of a video-letter to Thomas Hoving, former director at the MET and author of the unforgivable Art for
Dummies.
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#13 How I Became An Artist
- Saskia Holmkvist One thing leads to another - so can the world be related. Causal connections above and beyond the easily
predictable make me curious and therefore the chain of effects motif occupies an important place in my work,
especially as a narrative means.
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- Svenska
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#10 The Heroes Of Absolute Zero
- Janna Holmstedt The first days of the experiment had been uncomfortable, claustrophobic. Imagined sounds caused him to react
as if someone was just outside - knocking, steps, distant conversations. But they were only sound memories. The
only thing that there was to listen to in fact was the murmuring of his own blood circulation.
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- Svenska
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#9 Poetry Is What Gets Lost In Translation
- Ylva MazettiAs I, in any situation where emotions are called upon, invariably turn to vocabulary to facilitate and comprehend,
I also understand the arts through words. Every visual question, statement and sensation needs to pass through
this internal transformer...in order for me to place it in the correct category in the winding tunnels of my
comprehension to store for further interpretation.
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#5 The Melancholy Of Evolution
- Po Hagström Today there are 1,600,000 registered species on earth. It is reckoned that around 320,000 of them will have
disappeared by the year 2020. Around 2050 it is assumed that every other species (800,000 species) will have
vanished. What is a species worth?
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- Svenska
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#3 Crystal Palace
- Camilla Bergqvist A strong dazzling sun from a cloudless blue sky. Glass facades emerge in the sunlight. A house of glass looms into
view. A panning and presentation of a city constructed entirely of glass: Crystal Palace.
[...] we wish everyone a good morning. Today in room 101 we'll be showing a film on the legendary mountain, Mt.
Everest, which according to our sources reaches around 8848 m. At the same time, in room 314, the classical
costume drama, Room with a view, will be screened. For children, there will be a visit by a clown.
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#2 The Story As Seen From A Moving Viewpoint
- Yukie KamiyaAs a result of filmic expression that has benefited from technological advances, the fusion of 'the visual' and 'the
narrative' is now resulting in unprecedented forms of expression. What kinds of stories are being told by artists
who have acquired the medium of 'the moving image?' How are these stories being told? The focus of this essay
will be on storytelling in the medium of the moving image, which has seen a rapid growth since the mid-nineties.
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