Animals Autobiography Body Chains of effects Community Collaborative Dialogue Dream Drift Evolution Failure Family Feminism Forest Gravity Home Identity Inequality Language Love Manifesto Melancholy Narrative Nature Navigation Notes Pain Perception Prostitution Power Rhythm Script Scepticism Sculpture Self-organization Sociology Space Subject Television Territory Time Tourist Translation Tradition Travel Urban Utopia

Nothing is more common in ordinary experience than for information to lose its potential for activity.
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The subject is distinguished from the non-subject by the minimum of freedom to be itself, i.e. it has the freedom to defend its self in view of real unfreedom. A human being cannot be reduced to its status as mere object. It knows, as Carl Schmitt says, "not only birth," the facticity of its having been cast, "but also the possibility of a rebirth," which, as Hölderlin says in The Course of Life, is "the freedom to set out whither he will".[1] There is therefore only one obligation for the human subject: to be free in view of its freedom.
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Today there are 1,600,000 registered species on earth. It is reckoned that around 320,000 of them will have disappeared by the year 2020. Around 2050 it is assumed that every other species (800,000 species) will have vanished. What is a species worth?
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As a result of filmic expression that has benefited from technological advances, the fusion of íthe visualí and íthe narrativeí is now resulting in unprecedented forms of expression. What kinds of stories are being told by artists who have acquired the medium of 'the moving image?' How are these stories being told? The focus of this essay will be on storytelling in the medium of the moving image, which has seen a rapid growth since the mid-nineties.
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