Animals Autobiography Body Chains of effects Community Collaborative Dialogue Dream Drift Evolution Failure Family Feminism Forest Gravity Home Identity Inequality Language Love Manifesto Melancholy Narrative Nature Navigation Notes Pain Perception Prostitution Power Rhythm Script Scepticism Sculpture Self-organization Sociology Space Subject Television Territory Time Tourist Translation Tradition Travel Urban Utopia

That's it. That. That
sensation of being
fucked. Penetrated.

The fact that it's so
contradictory.

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Jag har de senaste åren på ett eller annat sätt arbetat kring uppfattningen av tid i min konst. Under en vistelse i New York (tre månader 2002) blev det tydligt för mig att jag ofta upplevde tiden som en del av platsen. Jag såg tiden som en variabel av platsen, och jag upplevde det som att det under min vistelse i New York var svårt att skilja på det som händer och det som har hänt.
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Point out a compass course and make an investigation. Make it a game. Investigate the relation between you as a citizen and the resistance of the city, when you are walking a straight line, following a pre-defined compass course. Investigate what obstacles your body will meet: the air friction; other bodies; ditches you are forced to go down into and up again as they pass your way.
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Near old master Gusti Nyoman Lempad´s house
Gusti´s Pizza Delivery

So contrary to western art:
no vacant space, no omits
in physical meaning
but a vast surface for dreams

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The first days of the experiment had been uncomfortable, claustrophobic. Imagined sounds caused him to react as if someone was just outside - knocking, steps, distant conversations. But they were only sound memories. The only thing that there was to listen to in fact was the murmuring of his own blood circulation.
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A strong dazzling sun from a cloudless blue sky. Glass facades emerge in the sunlight. A house of glass looms into view. A panning and presentation of a city constructed entirely of glass: Crystal Palace.
[...] we wish everyone a good morning. Today in room 101 we'll be showing a film on the legendary mountain, Mt. Everest, which according to our sources reaches around 8848 m. At the same time, in room 314, the classical costume drama, Room with a view, will be screened. For children, there will be a visit by a clown.
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As a result of fi lmic expression that has benefi ted from technological advances, the fusion of íthe visualí and íthe narrativeí is now resulting in unprecedented forms of expression. What kinds of stories are being told by artists who have acquired the medium of 'the moving image?' How are these stories being told? The focus of this essay will be on storytelling in the medium of the moving image, which has seen a rapid growth since the mid-nineties.
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