The first days of the experiment had been uncomfortable, claustrophobic. Imagined sounds caused him to react as if someone was just outside - knocking, steps, distant conversations. But they were only sound memories. The only thing that there was to listen to in fact was the murmuring of his own blood circulation.
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As I, in any situation where emotions are called upon, invariably turn to vocabulary to facilitate and comprehend, I also understand the arts through words. Every visual question, statement and sensation needs to pass through this internal transformer...in order for me to place it in the correct category in the winding tunnels of my comprehension to store for further interpretation.
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Notes for a book dispersed around the world
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I live in the house during the construction of the sculpture. I cut myself on bamboo sticks, bump into the large spades that poke out of the tunnels. They dig, hollow out the house to make a new existence in it. I have nowhere to sit - the chairs have either knives or bamboo fastened to them - the refrigerator is covered with staples.
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This I have come to know about home
since I began to think that I want home
to be like this

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Today there are 1,600,000 registered species on earth. It is reckoned that around 320,000 of them will have disappeared by the year 2020. Around 2050 it is assumed that every other species (800,000 species) will have vanished. What is a species worth?
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Why Michel Foucault? Because philosophy in Foucault's sense is a PERSONAL EXPERIENCE, an act of solitude. The solitude of the subject of philosophical experience has nothing to do with pathetic or narcissistic, depressive self-enclosure. The solitude of the philosophical subject is an act of resistance. The subject resists the easiness of mere opinion. It opens itself to new experiences, the EXPERIENCE OF THE NEW SELF.
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A strong dazzling sun from a cloudless blue sky. Glass facades emerge in the sunlight. A house of glass looms into view. A panning and presentation of a city constructed entirely of glass: Crystal Palace.
[...] we wish everyone a good morning. Today in room 101 we'll be showing a film on the legendary mountain, Mt. Everest, which according to our sources reaches around 8848 m. At the same time, in room 314, the classical costume drama, Room with a view, will be screened. For children, there will be a visit by a clown.
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As a result of filmic expression that has benefited from technological advances, the fusion of 'the visual' and 'the narrative' is now resulting in unprecedented forms of expression. What kinds of stories are being told by artists who have acquired the medium of 'the moving image?' How are these stories being told? The focus of this essay will be on storytelling in the medium of the moving image, which has seen a rapid growth since the mid-nineties.
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I am at an art exhibition in Germany, watching an educational fi lm on how to use a condom for protection against AIDS. The film is from South Africa. One of the women at the lesson giggles and smiles shyly, as she pulls a condom over a wooden phallus. Her friends are in stitches and the situation exudes lust and powerlessness. I am watching the film, surrounded by happy German art lovers. But they are no longer looking at the film. They are looking at me with well-meaning expressions on their faces.
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